in a room, in a house, on an island, in an ocean

Authors

Keywords:

Indigenous art, Pacific art, Te Rā, museums, Indigenous poetry, archives, Indigenous data sovereignty

Abstract

Each of the writers in this special issue, from essayists and reviewers to poets and interview subjects, addresses chains of connection. Through many different pathways they articulate and critique discontinuities created in colonial contexts. Memory and systems of memory, from storytelling to whakapapa (genealogical ties) to colonial archives and museums, are responded to in both material and abstract ways, creating fine networks and continuities at personal and institutional levels. Disconnection and connection are the themes that bind this special issue of Waka Kuaka: The Journal of the Polynesian Society as we seek to amplify the words and images of Indigenous poets, artists, archivists, creatives and curators and their innovative and unconventional approaches to reclaiming memory and history making.

Author Biography

Andrea Low, Tāmaki Paenga Hira | Auckland War Memorial Museum

Andrea Low (‘Ōiwi, Tongareva, Sāmoa, iTaukei, Scotland) is Associate Curator,
Contemporary World at Tāmaki Paenga Hira Auckland War Memorial Museum,
where she co-curated the permanent exhibition Tāmaki Herenga Waka: Stories
of Auckland. Andrea is a Council member of the Polynesian Society and Reviews
Editor for the Society’s journal, Waka Kuaka. She is also on the advisory board of
Marinade: Aotearoa Journal of Moana Art and a board member for Te Uru Waitākere
Contemporary Gallery in Tāmaki Makaurau (Auckland).

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Published

2024-04-15 — Updated on 2024-04-17